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Nelson/Marlborough Regional Report, May 2021
Nelson Potters Associationย recently held its AGM. Membership this coming year is expected to be up
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Wellington/Western Districts Regional Report, May 2021
Karla Marie joins the Ceramics NZ Council as the newly appointed Regional Council Member for
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Central North Island Report, May 2021
Entries open for Waiclay on 21 June 2021. This yearโs selector is Melbourne based ceramic
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Auckland Regional Report, May 2021
This month in Auckland the ASP volunteers are out in force with the help of
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Northland Regional Report, May 2021
Entries are now open for the 4th Annual Open Ceramics Art Awards, hosted by the
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Local Focus: Ceramics Association warn of silica dust danger to potters
Newly appointed Wellington Regional Council member, Karla Marie discusses the topic of silicosis in this
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The Kilns at Te Horo : an update from The Mirek Smisek Arts Trust
Real progress has been made at the site of Mirek Smรญลกekโs historic beehive kilns at
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Quartz – the Museum of Studio Ceramics
The name Quartz may seem odd for a museum devoted to ceramics but for its
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Kumiko Jacolin: Celebrating the Life of Wilf Wright (1931-2021)
[et_pb_section][et_pb_row][et_pb_column type=”4_4″][et_pb_text] May 3rd, 2021 Reikorangi On a bright, sunny Monday afternoon in May
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Aimee McLeod: Visit to a Pottery Fair in France
On holiday recently, we searched out some interesting potty places to visit. The village of St Jean-la Poterie, in Brittany, has a 1500-year tradition of pottery and clay work. Their two-day โFรชte des Lisesโ was held in a large park and was a festival more like a mini convention than a market.
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Life, Clay and Laughter: Temmina Kuijper at Pilliga Pottery, NSW
For the last two months my partner Darby and I have been volunteers at Pilliga Pottery and Barkala Farmstay, located five hours drive north-west of Sydney. Pilliga Pottery is named after the forest park that surrounds us.
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Tales of a Red Clay Rambler: Ben Carter interviewsโฆ
Ben Carter was recently brought to New Zealand by the Ceramics Association of New Zealand. While he was here, he took various workshops around the country and interviewed various potters. These are the podcasts of those interviews.
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His Own Steam: The Work of Barry Brickell
It’s a thick and heavy, substantial tome, good paper, layout design and high production values with ample white space. As soon as itโs in your hands you know itโs something that must be returned to time and again.
